I remember watching Crash almost ten years ago and focusing on the portrayal of Afrikan peoples in film and thinking about the insidious and toxic effects of a racist, classist, sexist system. However, when I watched it for a second time with the cohort, after almost a decade of experiences and several hours of group discussion about Wenger’s concepts of participation, reification, negotiating meaning and communities of practice, it was a through a very different lens. The movie seemed to bring Wenger’s concepts to life through practical situations that everyone could relate to. Characters assumed varying roles depending on the community of practice they were engaged or they altered their behaviour because of experiences/new negotiated meanings of the world: carjacker and Good Samaritan; good cop and bad cop; racist bitch and vulnerable wife; perceived gang-banger and loving father, etc.
One scene that sparked a lot of debate was the argument between the City Prosecutor and his wife over the Hispanic locksmith after their vehicle was carjacked. Many in the class felt that the young Hispanic man was part of the community of practice although he was not directly participating in the conversation while others thought that his mere presence, because he was the topic of discussion, was a form of participation. I personally believe that he wasn’t part of the community of practice because he was not involved in a joint enterprise with the other actors. What I found most interesting though, was that I believe the debate furthered the class’ understanding of negotiating meaning, joint enterprises, boundaries and boundary objects; understanding Wenger’s concepts through collective participation and reification within the group.
An interesting dynamic was revealed during the conversation between the African American LAPD sergeant and young police officer who reported his senior officer’s racist and inappropriate behaviour and requested a new partner. Our small group discussion touched on the sergeant’s response and his potential thinking when confronted with a racist police officer within a police department which included a network of hierarchal, insular and racist communities of practice. He faced a highly formalized institution with clearly demarcated communities of power and privilege, collective understandings and agreements and ever-present examples of reification. A skewed system with very little tolerance for dissent or non-compliance with well-established negotiated meanings, codes of conduct and expected norms. This character would be faced with a herculean task if he decided to pursue redress for the reported misconduct. It was obvious that he learned to adapt and function within the oppressive system and that he understood his precarious position and semi-legitimate peripheral acceptance and participation.
The young African American carjacker portrayed by rap star Ludacris was a complicated character who demonstrated the insidious effects of racism and social marginalization. I believe that his pro-Black worldview was a product of his experiences as a young African-American male shaped through a myriad of oppressive social experiences, exposure to a continuum reified symbols of white power and privilege and participation in a network of communities of practice that invalidated his individual and collective identity. He constantly questioned generally accepted negotiated meanings of race, class and power and attempted to ‘educate’ his African American friend(negotiate new meanings) about the destructive effects of systemic racism during their joint enterprises of crime and redemptive deeds. He possessed a very narrow and uncompromising belief system at the beginning of the film but began to question his ideology because of circumstance and interactions with others. I could closely identify with this character. I struggled to make sense of my position in the world as a young Afrikan person with an emerging understanding of systemic inequalities. This created resentment, ambivalence, frustration and a clear polarization of race politics – it was us against them. However, as I have matured and experienced life, my personal philosophy has came more rounded. I am of the opinion that Ludacris’ character underwent a similar ideological transformation during the movie.
The movie provided a clear and valuable illustration that participation in communities of practice, both positive and negative, significantly influences people and their identity and that the ‘crash’ of variant communities of practice always has individual and societal consequences. It was also a great example of the deleterious effects of boundaries, hierarchal power and the exclusive nature of communities of practice. People move through an ever-changing collection of communities of practice and boundaries and negotiate meanings about themselves and the world through their interactions with others. Crash was a great complement to Wenger and an excellent learning tool. It is unfortunate that all Canadians couldn’t watch it with the same critical analysis.....